Mission of Burma in 2004 Background information Origin, United States Genres, Years active 1979–1983, 2002–present Labels, Associated acts, Website Members Past members Mission of Burma is an band formed in, in 1979. The band was formed by , and (tape manipulator/sound engineer). Miller, Conley and Prescott share singing and songwriting duties. In early years the band's recordings were all released on the small Boston-based record label. Despite initial success, Mission of Burma disbanded in 1983 due to Miller's development of caused by the volume of the band's live performances. In its original lineup, the band released only two singles, an EP, and one LP, Mission of Burma reformed in 2002, with replacing Swope, and has since recorded four more albums, and Unsound. Contents.

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Simply stated, Mission Of Burma were, and remain, one of the most important American rock bands of the last 20 years. Strong words, but over the course of their brief four-year career (1979-1983), the band delivered the goods in spades. Feb 13, 2014 - Mission of Burma are pretty much the be-all and end-all of upbeat, catchy post-punk if you ask me. This EP is fantastic, it's incredibly consistent.

History Formation and early history Mission of Burma's history began with a short-lived Boston rock group called. The band included, who had moved to Boston from, and, who came from. When Moving Parts broke up amicably in December 1978, Miller and Conley began practicing. Auditioning new drummers was accomplished, as Michael Azzerad puts it, 'by playing 'out' music, such as and, until the applicant left.' They eventually recruited ex-Molls drummer, who had admired the music of Moving Parts. They took their name from a ' of ' plaque Conley saw on a building; he thought the phrase had a 'sort of murky and disturbing' quality. Mission of Burma made their debut on April 1, 1979 as a trio, performing at The Modern Theater.

Later that month Miller wrote a song, 'Nu Disco', that he felt would be improved by a. Miller then contacted, with whom he had earlier written some and -inspired pieces for piano and tape. Swope was immediately enlisted as the group's live audio engineer and occasional tape-effects artist. His latter role grew gradually, until by 1981 he was adding tape work to most of the group's songs, and was regarded as an integral part of the group, appearing in group photographs and receiving equal credit on recordings.

From the start, Mission of Burma received support from local music magazine Boston Rock, which printed a lengthy interview with the band before they released their first record, and community radio station. The station played Conley's 'Peking Spring' repeatedly, and it became the station's most-played song of 1979. Mission of Burma wanted to release the song as a single, but by the time they had found a label, they felt the song had run its course. Signals and Vs. By 1981, the band signed a record deal with the Boston-based record label. Their debut recording was a single of Conley's 'Academy Fight Song' backed with Miller's ' (titled after the artist).

Rick Harte's layered production was far more refined than the band's ragged live performances, and the band initially objected to the single. However, the first pressing of the single sold out quickly, and the band thereafter trusted Harte's judgment. Their debut release, the, was released in 1981. By the end of that year, the EP had sold out its initial pressing of 10,000 copies.

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In 1982, Mission of Burma released their first full-length album. The album has since seen wide praise; one review notes 'very few American bands from the 1980s released an album as ambitious or as powerful as, and it still sounds like a classic.' 'New Nails' seems to set the stage for, with jagged guitar and shouted lyrics like 'The never died / Just changed it to the;' Roger Miller has stated that line 'derives' from 's.

Breakup and aftermath In 1983, after the release of Vs., the group disbanded due to Miller's worsening, attributed in large part to their notoriously loud live performances—during their farewell tour, Miller took to augmenting his usual small foam earplugs with rifle-range earphones onstage. A live compilation, was assembled of recordings from the farewell tour and released on Ace of Hearts in 1985. In 1988, released a compilation album, Mission of Burma, the first to exceed 80 minutes of playing time. Miller and Swope then turned their attention to their side project, the quieter (co-founded with their old friend, who had played with Miller and Conley in ), which they both left in the 1990s, Miller to produce several solo efforts and film scores, and Swope to semi-reclusion in Hawaii. Prescott remained active in the Boston music scene, forming and later and. Other than producing 's debut record, Conley dropped out of music (working as a producer for Boston television station 's ); in 2001 he returned with. Reunion While disbanded, Mission of Burma accrued a larger fanbase.

In the 1980s and 90s, and kept the band's music in print via reissues of the Ace of Hearts catalog as well as unreleased recordings. Mission of Burma was also one of the 13 groups featured in 's book, marking them as an iconic group in the American indie rock canon. In 2002, Mission of Burma reunited and began playing reunion shows with Bob Weston of (and formerly Prescott's Volcano Suns bandmate) replacing Swope at the mixing board and tape manipulation. In an interview Miller relates that 'when we approached Bob Weston to fill Martin's position, we told him he could use which accomplishes Martin's antics in an easier fashion.

However, Bob opted for maintaining the original integrity, and uses a tape deck.' Weston began using a digital looping box from Electro-Harmonix in 2007 during live performances, but still uses actual tape loops in the studio. Weston regularly joins the band onstage during encores, playing bass while Conley plays second guitar. The band initially planned on playing just two reunion gigs, one in Boston and another in New York.

When tickets sold out very quickly and concert dates expanded to two nights in New York and three in Boston, Mission of Burma decided to re-form more permanently to tour and record new material. A new album, was produced in 2004 by Weston with Rick Harte and the band, and released by in May. The album finished 90th in the critic's poll. They also released, a live recording of the reunited lineup, through online digital channels. In September 2005, the band returned to the studio with Weston for an album tentatively titled (among other names) Aluminum Washcloth and re. Released in May 2006, again on, it ranked #33 of best records of 2006 by and placed 50th in the poll.

In March 2008, Matador re-released remastered versions of Signals, Calls, and Marches, Vs., and The Horrible Truth About Burma from the band's original era. In a September 2008 interview with the, Prescott explained that the sheer physical exertion involved in performing Mission of Burma songs meant that the band could only play together for a 'couple more years at most.' In March 2009 the band recorded 14 tracks for their fourth full-length studio album,. Matador released a two non-album songs on a 7″ single in August and the full album in October. In January 2012, Mission of Burma parted ways with Matador and recorded their fifth full-length album, for.

The album saw release in July 2012, preceded by the single 'Dust Devil' Musical style Miller's songs were typically more unorthodox, both lyrically and structurally. Conley's were somewhat more conventional and even anthemic: critic Franklin Bruno described Conley as a ' machine', and his songs have probably been most widely covered by other artists. Though Miller and Conley handled most of the singing and songwriting, Prescott contributes a few songs per record as well; he usually sings in a tuneful, 's bellow. Live performances Prescott explained Swope's methods in a 1997 interview: 'What Martin did.

Was tape something that was going on live, manipulate it, and send it back in (via the ) as a sort of new instrument. You couldn't predict exactly how it would sound, and that got to be the really fun thing I think we all liked. We wanted to play this hammer-down drony stuff, but we also wanted another sound in there.' Swope's tapework ranged from subtle and nearly subaural (such as the quiet shifting feedback sounds in Conley's 'That's When I Reach For My Revolver'), to prominent and even jarring (such as the high-pitched two-note squeal in Miller's 'Red'). Journalist later wrote: 'A lot of people never knew about Swope's contribution and were mystified by how the musicians onstage could wring such amazing phantom sounds from their instruments.'

Though his contribution is widely considered an integral part of Burma's sound, Swope very rarely appeared onstage, only occasionally appearing to play second guitar during encores. Their live performances were notoriously hit-or-miss, and were usually far more rough-edged than their recordings; the Horrible Truth of their live album ( ) being an in-joke about their inconsistency. Boston critic Tristam Lozaw described Mission of Burma live: 'When they were good, they were very very good, but when they were bad they were horrid. But that was the nature of the beast. Because they took chances, you never knew whether you were going to get one of the most spectacular experiences of your life or if it was going to be a ball of incomprehensible noise.' While the band's improvisational side and the unpredictable chaos of Swope's tape work contributed a little to this inconsistency, the two main factors were (as Lozaw implies) the live sound and the pacing and timing of their sets. When faced with a venue where the sound system or room acoustics weren't up to the task of conveying clarity along with the band's trademark volume, Swope always refused to compromise, and opted for volume.

The band's set lists (composed by committee a few minutes before going on stage) could range from well-constructed to seemingly picked at random, and (aside from 'Secrets' as a frequent opener and 'All World Cowboy Romance' or a cover as an encore) there was a general reluctance to repeat any song placement or sequence that had worked in the past. Legacy Many bands have cited Burma as an inspiration, including, (who named their second album, in tribute to Burma's ), (the last two have even covered 'Academy Fight Song': the former on their Green tour and the latter on their ), and - the last five of which have covered Conley's '. In 2009 the city of Boston declared October 4 to be 'Mission of Burma Day' in honor of the band's work in a ceremony held at the MIT East Campus Courtyard. Discography.

Azerrad, 2001. 96. Azerrad, 2001. ^ Azerrad, 2001. 97.

Azerrad, 2001. 98.

Azerrad, 2001. Archived from on March 10, 2005. Retrieved December 28, 2004. Retrieved 25 May 2016. (27 September 1988). Retrieved 8 May 2018.

Retrieved 8 May 2018. Retrieved 2011-01-18. This Rykodisc release was the first compact disc to contain 80 minutes of music; 78 minutes had previously been the longest length possible to encode on a CD. Thorn, Jesse. National Public Radio. Retrieved 4 January 2016. Retrieved 25 May 2016.

Archived from on 2012-10-11. Retrieved 2012-09-03. Retrieved 25 May 2016. Fenway Recordings Press Release, May 4. Matador Records. Archived from on 2009-07-16. Retrieved 2012-09-03.

Archived from on 2012-08-24. Retrieved 2012-09-03.

Archived from on March 20, 2015. Retrieved November 10, 2006. Azerrad, 2001. 31 July 2001.

Retrieved 25 May 2016. Retrieved 25 May 2016. Retrieved 25 May 2016. Archived from on October 10, 2015. Retrieved February 1, 2016.

Retrieved 25 May 2016. Retrieved 25 May 2016. Retrieved 25 May 2016. Retrieved 25 May 2016. References. Little, Brown and Company, 2001.

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