Logo image of 'Jai Jai Jai Bajrang Bali'. Created by Prem Sagar Written by C.L.Saini Research = Ram govind Directed by Ajay Kumar Theme music composer Pandit Kiran Mishra & Surya Raj Kamal Opening theme 'Jai Jai Jai Bajrang Bali' by Country of origin Original language(s) No. Of seasons 1 No. Of episodes 1500 Production Executive producer(s) Shiv Sagar Producer(s) Cinematography S Kumar Editor(s) Shums Mirza Camera setup Running time Approx.

24 minutes Production company(s) Release Original network Picture format Original release 6 June 2011 ( 2011-06-06) – 31 July 2015 ( 2015-07-31) External links Jai Jai Jai Bajrang Bali is an Indian television mythological series, which premiered on June 6, 2011 on.It is based on the life of, the Hindu monkey God who plays a major role in, one of India's most popular mythological tales. The show tells the story of Maruti as he grows up in Anjan Pradesh along with his Mother Anjana and father Kesari.

The storyline of the series focuses on Hanuman as the avatar of Lord Shiva. The events depicted are some of the lesser-known mythological events surrounding the trials and tribulations of Hanuman, while he was combating the evil and malevolent forces espoused by characters such as Raavana. Through the course of the show, the makers of the series plan to reveal the miraculous powers and the immeasurable physical strength Hanuman derives from Lord Shiva, which ultimately helps him pursue his noble endeavors and win his fights against all evil forces he encounters. The lead of the show, Raj Mange, won 'Best Child Artist of the Year' at the Indiantelevision.com's New Talent Awards. Main articles:, and References to contemporary locations The epic series looks to create greater resonance with sections of the audience with lesser mythological know-how, with the inclusion of places that are directly linked to or mentioned in the Ramayana and other relevant mythological texts, as shooting locations for the show. Most of these places are popular as tourist destinations in contemporary knowledge and culture. The Anjanadri Hill near Hampi, believed to be the birthplace of Lord Hanuman, is one such location featured in the series.

Others include Kishkinda, now known as Hammipur and Belur, as well as Anganwadi in the ancient city of Varanasi, which is described extensively in Tulsi Das’ Ramayana. Varanasi, in fact, is where Tulsi Das lived when he wrote a major part of the Ram Charit Manas.

Jai Jai Jai Bajrangbali. Hanuman's life and service to mankind in delivering the world from the atrocities of invincible demons like Ravan and all such mortal agonies as disease and evil influences as an aavtar of Lord Shiva (part of the Hindu Trinity) forms the central idea of Jai Jai Jai Bajrangbali.

Kishkinda, on the other hand, has strong references in the Ramayana as the ape kingdom that was ruled by Sugriva’s brother, Bali. Hanuman helps Sugriva capture the kingdom, and later brings him and Lord Rama together for the war against Raavana. Jai Jai Jai Bajarang Bali in the media The series, though well received, and hugely popular amongst millions of cable TV subscribers, has received some amount of criticism for the quality of production. 'While Hanuman has been (a) part of our lives since the days of Doordarshan and the late Ramanand Sagar's Ramayan, it's also taken animated forms in endearing children's films. So it's painful to sit through this tacky production. Raavana's sword is a cardboard toy, while the torture scenes of the rishi-munis are funny, to say the least. Everyone goes through their jobs seriously, but are let down by shoddy production values', says an Indian Express reviewer.

Jai Jai Jai Bajarang Bali has been in the news for being the top-rated show in spot ad charges on Sahara One. The prime time feature is all set to generate the highest revenues for the cable TV channel, after it decided to adopt the fixed spot strategy as of March 2012. In a bid to increase its advertising revenues by 30% within one year, Sahara One designated Jai Jai Jai Bajarangbali as its flagship property and fixed ad rates during the show at an estimated Rs.7,500 for a 10-second spot. References. Biography for Ramanand Sagar. Retrieved on February 27, 2013, from www.imdb.com/name/nm0755997/bio.

the original main idol is in PANCHAMUKI ANJANEYA SWAMI TEMPLE which is in Karnataka. Retrieved on March 16, 2015 from. Hanuman Chalisa: Sahara One. Retrieved on April 10, 2015 from. Bhakti Samacharam: It is a devotional program that brings out significance and history of the pilgrimages. Retrieved on April 14, 2015 from. Sagar Arts.

Jai Jai Jai Bajrang Bali - Year of telecast. Retrieved on February 27, 2013, from www.sagartv.com/bajrangbali.htm. Hampi Sights: Hanuman Temple. Retrieved on February 27, 2013, from www.lonelyplanet.com/india/karnataka/hampi/sights/archaeological-site/hanuman-temple.

Tulsi Ghat. Retrieved on February 27, 2013, from www.varanasicity.com/tulsi-ghat.html. Kishkinda. Retrieved on February 27, 2013, from www.thekishkindatrust.org/?pageid=1481.

Rao, Kshama. 'Jai Jai Jai Bajrangbali'.

Retrieved on February 27, 2013, from www.indianexpress.com/news/jai-jai-jai-bajrangbali/835331/2. Sarkar, Anindita. 'Sahara One shifts to fixed spot, eyes ad revenue growth of 30 per cent'.

Retrieved on February 27, 2013, from www.afaqs.com/news/story/33333Sahara-One-shifts-to-fixed-spot;-eyes-ad-revenue-growth-of-30-per-cent External links. – Mohammed Aziz is an Indian playback singer in the Bollywood, Bengali and Odia film industries.

His nickname is Munna and his name is Syed Mohammed Aziz-un-Nabi. Being an ardent lover of music and Mohammed Rafi, he started singing from childhood, Aziz made his film debut in a Bengali language film, Jyoti.

He came to Mumbai in 1984, with references from a producers relative and his first Hindi film was Ambar. Aziz started out his career as a singer in the restaurant Ghalib in Kolkata. He got a break through when the music director Anu Malik got him to sing the song Mard Taangewala for the movie Mard. Nayyar, Bappi Lahiri, Rajesh Roshan, Usha Khanna, Anand-Milind, Nadeem-Shravan, Jatin Lalit, Anu Malik, Damodar Raao, Anand Raj Anand, Aziz is busy in the Odia film industry. He has sung several Odia bhajans, private albums, and Odia film songs since 1985, some of his Odia bhajans are famous. He has performed shows in India and abroad, and has been nominated twice for best male playback singer award. Aziz was very close to Laxmikant Pyarelal, After Laxmi-Pyare, his career went down and other music directors took to other such as Kumar Sanu.

At his peak, he was considered an heir to Mohd and he is one of the rare singers who can sing at the 7th note - example being his song, Saare Shikawe Gile Bhulaa Ke Kaho. Laxmi-Pyare recognized his potential very early and repeated him in a lot of their movies and he has done playback singing for famous actors such as Amitabh Bachchcan, Govinda, Rishi Kapoor, Mithun chakraborty and several others 2. – India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and it is bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast. It shares land borders with Pakistan to the west, China, Nepal, and Bhutan to the northeast, in the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives.

Indias Andaman and Nicobar Islands share a border with Thailand. The Indian subcontinent was home to the urban Indus Valley Civilisation of the 3rd millennium BCE, in the following millennium, the oldest scriptures associated with Hinduism began to be composed.

Social stratification, based on caste, emerged in the first millennium BCE, early political consolidations took place under the Maurya and Gupta empires, the later peninsular Middle Kingdoms influenced cultures as far as southeast Asia. In the medieval era, Judaism, Zoroastrianism, Christianity, and Islam arrived, much of the north fell to the Delhi sultanate, the south was united under the Vijayanagara Empire. The economy expanded in the 17th century in the Mughal empire, in the mid-18th century, the subcontinent came under British East India Company rule, and in the mid-19th under British crown rule. A nationalist movement emerged in the late 19th century, which later, under Mahatma Gandhi, was noted for nonviolent resistance, in 2015, the Indian economy was the worlds seventh largest by nominal GDP and third largest by purchasing power parity. Following market-based economic reforms in 1991, India became one of the major economies and is considered a newly industrialised country. However, it continues to face the challenges of poverty, corruption, malnutrition, a nuclear weapons state and regional power, it has the third largest standing army in the world and ranks sixth in military expenditure among nations.

India is a constitutional republic governed under a parliamentary system. It is a pluralistic, multilingual and multi-ethnic society and is home to a diversity of wildlife in a variety of protected habitats.

From there, Endou and his team play all over the world. Even though his skills are incredible, his school lacks a real football club as the 6 other members don't appear interested in training at all. But as soon as a mysterious forward called Gouenji moves to Endou's town, the young goalkeeper sets out to find and recruit members for his football team. Download inazuma eleven game. Inazuma Eleven - Episode 8 - English Subbed ------------------------------------------------------------------------------------------------ The main character, Endou Mamoru, is a very talented goalkeeper and the grandson of one of the strongest goalkeepers in Japan, who died before he was born.

The name India is derived from Indus, which originates from the Old Persian word Hindu, the latter term stems from the Sanskrit word Sindhu, which was the historical local appellation for the Indus River. The ancient Greeks referred to the Indians as Indoi, which translates as The people of the Indus, the geographical term Bharat, which is recognised by the Constitution of India as an official name for the country, is used by many Indian languages in its variations. Scholars believe it to be named after the Vedic tribe of Bharatas in the second millennium B.

E and it is also traditionally associated with the rule of the legendary emperor Bharata. Gaṇarājya is the Sanskrit/Hindi term for republic dating back to the ancient times, hindustan is a Persian name for India dating back to the 3rd century B. It was introduced into India by the Mughals and widely used since then and its meaning varied, referring to a region that encompassed northern India and Pakistan or India in its entirety 3. – The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production.

Several cameras—either film or professional video cameras—are employed on the set and it is often contrasted with single-camera setup, which uses one camera. In this way, multiple shots are obtained in a single take without having to start and this is more efficient for programs that are to be shown a short time after being shot as it reduces the time spent film editing or video editing the footage. It is also a necessity for regular, high-output shows like daily soap operas. It also reduces the complexity of tracking continuity issues that crop up when the scene is reshot from the different angles and it is an essential part of live television. These can be hidden from just one camera but can be more complicated to set up.

Another drawback is in film usage—a four-camera setup will use up to four times as much film per take, while shooting, the director and assistant director create a line cut by instructing the technical director to switch between the feed from the individual cameras. In the case of sitcoms with studio audiences, this cut is typically displayed to them on studio monitors. The line cut might be refined later in editing, as often the output from all cameras is recorded, both separately and as a combined reference display called the q­ split. The camera currently being recorded to the cut is indicated by a tally light controlled by a camera control unit on the camera as a reference both for the actors and the camera operators. When sound came into the picture multiple cameras were used to film sets at a single time. Early sound was recorded onto wax discs that could not be edited, the BBC routinely used multiple cameras for their live television shows from 1936 onward. Desilus innovation was to use 35mm film instead of 16mm and to film with a multiple-camera setup before a studio audience.

In the late 1970s, Garry Marshall was credited with adding the fourth camera to the multi-camera set-up for his series Mork & Mindy, soon after, many productions followed suit and now having four cameras is the norm for multi-camera situation comedies. The multiple-camera method gives the director less control over each shot but is faster, in television, multiple-camera is commonly used for sports programs, news programs, soap operas, talk shows, game shows, and some sitcoms.

Before the pre-filmed continuing series became the dominant dramatic form on American television, multiple cameras can take different shots of a live situation as the action unfolds chronologically and is suitable for shows which require a live audience. For this reason, multiple camera productions can be filmed or taped much faster than single camera, multiple-camera sitcoms were more simplified but have been compared to theatre work due to its similar set-up and use of theatre-experienced actors and crew members. The majority of British sitcoms and dramas from the 1950s to the early 1990s were made using four cameras, unlike the United States, the development of completed filmed programming, using the single camera method, was limited for several decades 4. – Sahara One is an Indian Hindi general entertainment channel based in New Delhi. It is operated by Sahara India Pariwar, a formed by Subrato Roy Sahara who is a managing worker. Sahara One was launched as Sahara TV on 28 March 2000, as to compete with other channels and attract more audience, the channel once again changed its name to Sahara One on 10 October 2004. It is currently available on most of the such as Tata Sky.

The channel launched in the United States in 2005 on EchoStar along with the sister channel Filmy, the channel provides a mix of fiction and non-fiction entertainment shows, events, dramas, mythological series, reality shows, kids programming, thrillers, feature films and film-based programmes. It has broadcast the cartoon series Just Kids, One of the most watched kids show of that time, hosted by Yash Pathak. Sahara One official website Sahara One Media and Entertainment Limited Sahara One Motion Pictures 5. – 576i is a standard-definition video mode originally used for broadcast television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its association with the colour encoding system, it is often referred to as simply PAL, PAL/SECAM or SECAM when compared to its 60 Hz NTSC-colour-encoded counterpart. The 576 identifies a vertical resolution of 576 lines, and the i identifies it as an interlaced resolution and its basic parameters common to both analogue and digital implementations are,576 scan lines or vertical pixels of picture content,25 frames per second.

Digital information not to be displayed as part of the image can be transmitted in the lines, teletext and other services. Analogue television signals have no pixels, they are rastered in scan lines, in digital applications, the number of pixels per line is an arbitrary choice as long as it fulfils the sampling theorem. Values above about 500 pixels per line are enough for conventional broadcast television, DVB-T, DVD and DV allow better values such as 704 or 720. The video format can be transported by major digital television formats, ATSC, DVB and ISDB, and on DVD, when 576i video is transmitted via baseband, most of the differences between the one-letter systems are no longer significant, other than vertical resolution and frame rate.

Digital video uses its own separate space, so even the minor colour space differences between PAL and SECAM become moot in the digital domain. When 576i is used to transmit content that was composed of 25 full progressive frames per second. This is the opposite of NTSC, motion pictures are typically shot on film at 24 frames per second. When telecined and played back at PALs standard of 25 frames per second and this also applies to most TV series that are shot on film or digital 24p. Depending on the system in use, it also slightly increases the pitch of the soundtrack by 70.67 cents. More recently, digital conversion methods have used algorithms which preserve the pitch of the soundtrack.

Conversion methods exist that can convert 24 frames per second video to 25 frames per second with no speed increase, however image quality suffers when conversions of this type are used. This method is most commonly employed through conversions done digitally, and is employed in situations where the importance of preserving the speed of the video outweighs the need for image quality. Many movie enthusiasts prefer PAL over NTSC despite the formers speed-up, because the results in telecine judder. States the majority of authorities on the subject favour PAL over NTSC for DVD playback quality, also DVD reviewers often make mention of this cause.

For example, in his PAL vs. NTSC article, the founder of MichaelDVD says, Personally, I find all but intolerable and find it very hard to watch a movie on an NTSC DVD because of it 6. – Hanuman is an ardent devotee of Rama. He is one of the figures in the Hindu epic Ramayana. As one of the Chiranjivi, he is mentioned in several other texts, including the Mahabharata. Hanuman participated in Ramas war against the demon king Ravana, several later texts also present him as an incarnation of Shiva.

He is the son of Anjana and Kesari and is described as the son of the wind-god Pawan. The Sanskrit texts mention several legends about how Hanuman got his name, one legend is that Indra, the king of the gods, struck Hanumans jaw during his childhood. The child received his name from the Sanskrit words Hanu and -man, the name thus means one with prominent or disfigured jaw.

Another theory says the name derives from the Sanskrit words Han and maana, some Jain texts mention that Hanuman spent his childhood on an island called Hanuruha, which is the origin of his name. According to another theory, the name Hanuman derives from the word for male monkey. Linguistic variations of Hanuman include Hanumat, Anuman, Hanumantha, Hanumanthudu, other names of Hanuman include, Anjaneya, Anjaniputra, Anjaneyar, Anjaneyudu, Anjanisuta all meaning the son of Anjana. Similar in meaning to - Vaanaraanaamadheesham, shreeraamadootam, the one who is the messenger of Rama. Atulita Bala Dhaamam, the one who is the repository of incomparable strength, hemshailaabha Deham, the one whose body resembles a golden mountain. Danujvana Krushanum, the one who is the destroyer of forces of demons, gyaaninaam Agraganyam, the one who is considered foremost among knowledgeable beings.

Sakala Guna Nidhaanam, the one who is the repository of all the virtues, raghupati Priya Bhaktam, the one who is the dearest of all devotees to Rama. Sankata Mochana, the one who liberates from dangers In the 3rd chapter of Kishkindha Kaanda of Valmiki Ramayana, summarized as follows, Ablest sentence maker. The knower of all Vedas and Scriptures, scholar in nine schools of grammars. Possessing faultless speech and facial features Hanuman is mentioned in both the Hindu epics, Ramayana and Mahabharata, the word Vrsakapi or Vrishakapi, later used as an epithet for Hanuman, is mentioned in the Rigveda.

Some writers, such as Nilakantha believe that the Vrishakapi of Rigveda alludes to Hanuman, however, other scholars believe that Hanuman is not mentioned in the Vedic mythology, the Vrsakapi of Rigveda refers to another deity or is a common name for the monkeys 7. – The Ramayana is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana.

Along with the Mahabharata, it forms the Sanskrit Itihasa, the Ramayana is one of the largest ancient epics in world literature. It consists of nearly 24,000 verses, divided into seven Kandas, in Hindu tradition, it is considered to be the adi-kavya. It depicts the duties of relationships, portraying characters like the ideal father, the ideal servant, the ideal brother, the ideal wife. The Ramayana was an important influence on later Sanskrit poetry and Hindu life, like the Mahabharata, the Ramayana is not just a story, it presents the teachings of ancient Hindu sages in narrative allegory, interspersing philosophical and ethical elements.

The name Ramayana is a compound of the name Rāma and ayana. According to Hindu tradition—and according to the Ramayana itself—the epic belongs to the genre of itihasa like Mahabharata, the definition of itihāsa is a narrative of past events which includes teachings on the goals of human life. According to Hindu tradition, Ramayana takes place during a period of known as Treta Yuga. In its extant form, Valmikis Ramayana is a poem of some 24,000 verses.

The text survives in several thousand partial and complete manuscripts, the oldest of which is a manuscript found in Nepal. A Times of India report dated 18 December 2015 informs about discovery of a 6th-century manuscript of the Ramayana at the Asiatic Society library, the Ramayana text has several regional renderings, recensions and subrecensions. Goldman differentiates two major regional recensions, the northern and the southern, scholar Romesh Chunder Dutt writes that the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind.

There has been discussion as to whether the first and the last chapters of Valmikis Ramayana were composed by the original author. Most Hindus still believe they are parts of the book, in spite of some style differences. Some cultural evidence, such as the presence of sati in Mahabharata but not in the body of Ramayana. By tradition, the text belongs to the Treta Yuga, second of the four eons of Hindu chronology, Rama is said to have been born in the Treta yuga to king Dasharatha in the Ikshvaku dynasty.

The names of the characters are all known in late Vedic literature, however, nowhere in the surviving Vedic poetry is there a story similar to the Ramayana of Valmiki. Also, in the epic Mahabharata, there is a version of Ramayana known as Ramopakhyana and this version is depicted as a narration to Yudhishthira 8. – Ramayan is an Indian epic television series, which aired during 1987-1988, created, written, and directed by Ramanand Sagar. The remake of Ramayan series was presented by Sagar Arts. It is a television adaptation j the ancient Indian Hindu religious epic of the same name, the serial was brought to the small screen by Sagar Art Enterprises. Reigning Hindu TV Gods of India Have Viewers Glued to Their Sets, the Wall Street Journal,22 April 1998 Lutgendorf, Philip. The Life of a Text, Performing the Ramcharitmanas of Tulsidas, berkeley, California, University of California Press.

All in the Family, A Video Epic in Cultural Context, in Hawley, John Stratton, Narayanan, Vasudha. Lessons of the Epics, The Ramayana, rajagopal, Arvind, Politics After Television, Hindu Nationalism and the Reshaping of the Public in India. Ramayan at the Internet Movie Database 9. – Krishna is an Indian television series created, written, and directed by Ramanand Sagar. The series originally aired weekly on Doordarshan and it is an adaptation of the stories of the life of Krishna, based on Bhagavat Puran, Brahma Vaivart Puran, Hari Vamsa, Vishnu Puran, Padma Puran, Garga Samhita, Bhagavad Gita & Mahabharat. The TV series was first broadcast on Doordarshans Metro Channel from 1993, in 1996, the show was broadcast from the beginning on DD National.

In 1999, the moved to Zee where the remaining episodes were broadcast. The entire series was re-telecast on Sony starting 2001 and later on Star and this series is now being re-telecasted on ShivaShakthiSai TV, a Telugu Devotional channel, from January 15,2016. This serial was also telecast in Mauritius by Mauritius Broadcasting Corporation, in Toronto on Channel 57, in Nepal on Nepal TV, in South Africa on M.

Net, cipta Television, in Jakarta on Pendidikan, and in London on T. Shri Krishna was produced by Ramanand Sagar, Subhash Sagar and Prem Sagar under the banner “Sagar Enterprises” and directed by Ramanand Sagar, Anand Sagar, the role of young Krishna was played by Swapnil Joshi and adult Krishna was played by Sarvadaman D. Ravindra Jain composed music for this serial, the title song, Shree Krishna Govind Hare Murari is popular not only in India but also around the world.

The show was one of the biggest grossers for Doordarshan in the mid to late 90s and it earned over Rs 100 crore 10. – Alif Laila is a TV series based on the stories from One Thousand and One Nights. It was produced by Sagar Films and it was made in two seasons. The first season was aired on DD National and season two on ARY Digital, popularity of the show lead to it being broadcast in Bengali on BTV, and ETV. The show started re-airing from 2012 on every weekdays on Dhamaal TV, the plot line of the series starts right from the very beginning when Scheherazade starts telling stories to Shahryar.

Alif Laila contains both the well-known and the stories from One Thousand and One Nights which are mentioned here. Actual word is Alf Laila meaning thousand nights, prologue to The Story of King Shahryar and Queen Scheherazade. The episodes of Alif Laila was released on both VCD and DVD format, the DVD release was marketed as 20 volumes consisting of 143 episodes, while the VCD released as 50 sets. There also been DVD and VCD releases of single story arcs, Alif Laila was the winner of Most Outstanding T. Serial awarded by India Cine-goers Academy. K, sodhi, Ramesh Ambavale, Akhtar, Vinod, Nagesh played minor roles in every story arc.

Suraj Kiran composed Mehbooba Mehbooba for a scene during Sinbad arc, bollywood singers Suresh Wadkar, Asha Bhosle, Kavita Subramaniam, Mohd. Aziz, Mitali Choudhary, Chetna, Usha Mangeshkar, Satish Dehra, Sushil Kumar, Vasi Raza, etc. Lend their voices to the Arabic-themed songs for the first season 11. – Gurukula is a type of residential school in India with pupils living near the guru, often in the same house. Before British rule, they served as South Asias primary educational institution, the guru-shishya tradition is a hallowed one in Hinduism and appears in other religious groups in India, such as Jainism, Buddhism and Sikhism.

The word gurukula is a contraction of the Sanskrit guru and kula, typically, a guru does not receive any fees from the shishya studying with him. At the end of his studies, a shishya offers the guru dakshina before leaving the gurukula or ashram. The gurudakshina is a gesture of acknowledgment, respect and thanks to the guru, which may be monetary. While living in a gurukula the students had to be away from home, Gurukula have existed since the ancient age. Upanishads mention many gurukula, including that of guru Drona at Gurugram, Yajnavalkya, bhrigu Valli, the famous discourse on Brahman, is mentioned to have taken place in Guru Varunis gurukula. Vedic school of thought prescribes an initiation to all individuals before the age of 8 or latest by 12, from initiation until the age of 25 all individuals are prescribed to be students and to remain unmarried.

The gurukula were supported by public donation and this was followed by the many following Vedic thoughts making gurukula one of the earliest forms of public school offices. By the colonial era the system was declining in India. Arya Samajs The Dayand Anglo-Vedic education system is an educational organisation in India that runs several gurukuls as well as 900+ schools, 75+ colleges. In 1948, Shastriji Maharaj Dharamjivan das Swami followed suit and initiated first Swaminarayan Gurukul in Rajkot in Gujarat state of India, recently several gurukula have begun, driven by a desire to uphold tradition. An example of new schools include the Ananda Marga Gurukula. Another examples of gurukuls in India are Gurukul Kishangarh Ghasera, Gurukul Kaalba, yoga Guru Baba Ramdev had studied in Gurukul Kaalba. Sri Sathya Sai Institute of Higher Learning, Puttaparthi, follows the gurukula system, education in India History of education in the Indian subcontinent Gurukul Kangri Vishwavidyalaya Uchi-deshi, similar system in Japan 12.

– Hotel Kingston was an Indian TV series which aired on STAR One. It was produced by African-Indian Productions, caught in the midst of Hotel Kingston are Shelly Sahai Sonal Sehgal and Vishwamitra Kelkar a. Vish Amit Varma are the ideal lovers with their pyar bhari takrar and she the NRI and he the simple middle class guy. Their worlds come together to run the Hotel Kingston, hate turns into liking and liking into love as these two find the perfect companions in each other 13. – Dharti Ka Veer Yodha Prithviraj Chauhan Produced by Sagar Pictures is an Indian historical drama broadcast on Star Plus.

The story is based on Prithviraj Raso, the Apabhramsha poem by Chand Bardai which portrays the life of Prithviraj Chauhan, anas Rashid plays Prithviraj Chauhan and Rajat tokas plays Younger Prithviraj chauhan. The drama is based on Prithviraj Chauhan, a ruler of the Chauhan dynasty, proficient in military skills, he took the throne of Ajmer at age 13 after his father died in battle. His maternal grandfather, Anangpal Tomar, ruler of Delhi, declared Prithviraj Chauhan his heir after discovering his courage, Chauhan falls in love with Sanyogita, the daughter of his enemy, Jaichand of Kannauj and abducted her at her swayamvara ceremony. The serial is based on the tales of the three most powerful ruling Rajput families of time, those of Ajmer, Kannauj and Delhi. Roopsundari and Kamlavati were daughters of the King of Delhi, Anangpal I, Kamlavati was married to Someshwar Chauhan of Ajmer and Roopsundari to Vijaypal of Kannauj. Someshwar and Kamlavati were worried about not having an heir and they offered prayers and sought blessings from the God for a child. Someshwar thanks Vijaypal and Roopsundari for supporting them, Kamlavati suggests Someshwar marry another woman so that the dynasty will have an heir, but he dismisses that suggestion.

Finally, Someshwar is happy to know that Kamlavati will soon conceive, after some time, Kamlavati and Someshwar pray to God and are blessed with a son they name Prithviraj Chauhan III. Prithvi is sent to Gurukul to study and gain martial skill, a brilliant student, Prithvi attends the Vansaj of Eklavya who can hit targets with a bow and arrow by merely hearing them. He also learns from Shabd Bhedi Baan Vidya, guest appearances Sagar Pictures released an original soundtrack for the television series with lyrics and music by composer Ravindra Jain. The title song was written by Sohan Sharma and composed by Gaurav Issar, the songs were sung by Ajoy Chakrabarty, Udit Narayan, Roop Kumar Rathod, Babul Supriyo, Sadhna Sargam, Suresh Wadkar, Shreya Ghoshal and Sadhna Sargam 14. – Ramayan is an Indian costume drama television series depicting the story of Rama and based on stories from classic Indian literature. The 2008 release is a remake of the 1980s series of the same name, the plot derives from Valmikis Ramayan, Tulsidass Ramcharitmanas and Chakbastas Urdu Ramayan with aspects of other works. The television series was produced by Sagar Arts and aired on NDTV Imagine, Ramayan tells the story of Rama, the eldest son of Dasharatha, the King of Ayodhya.

Rama is due to become king after his father’s retirement, but his stepmother, as King Dasharatha had earlier promised to fulfil any two wishes for her, Kaikeyi demands that Rama should be banished to the forest for fourteen years and that Bharat should be crowned as king. Dasharatha keeps his word and with a heavy heart asks Rama to leave for the forest, Rama accepts the exile and is accompanied by his wife Mata Sita and younger brother Lakshman. When Bharat learns that his mother is responsible for Ramas exile he renounces her, Rama declines, whereupon Bharat places Ramas charan paduka on the throne as a symbol that Rama is the true king. Bharat rules Ayodhya for the fourteen years.

Ravan, the evil King of Lanka, abducts Mata Sita, prompting Rama, Lakshman, Hanuman and his army of apes, the Vanara Sena, to rescue her and Rama to slay Ravan. Season 2 focuses on Ram-Sitas life after returning from exile, birth of Luv-Kush and their reunion with the family and final departure of Sita. Omang Kumar designed the sets and Nisha Sagar designed the costumes, anand Sagar, son of late Ramanand Sagar, directed the series having worked on the script for about six months with this team. The series was shot at Sagar Film City in Baroda, ravindra Jain, who composed music for the 1980s series returned as composer. Playback singers included Kavita Subramaniam and Suresh Wadkar, the Malayalam version of Ramayan aired on Surya TV and featured songs sung by Unni Menon. Ramayan was dubbed into Tamil and aired on Sun TV from October 2009, the Telugu version aired on Gemini TV. The Gujarati version aired on ETV Gujarati, Ramayan Official Site Ramayan Title Track Collection Of Ramayan Songs & Musics 15.

– Jo Ishq Ki Marzi Woh Rab Ki Marzi is an Indian television series that premiered on Sahara One on 9 March 2009. The story revolves around the lives of two Zamindar families who turn from friends to enemies, karamveer Jyati Bhatia Jo Ishq Ki Marzi Woh Rab Ki Marzi News Article 16. – Chandragupta Maurya is an Indian historical drama being broadcast on Dangal TV, based on the life of Chandragupta Maurya, one of the major Indian Emperors of ancient India. It premiered on 20 December 2014 and it is being re-aired on Dangal TV after Imagine TV was shut-down for unknown reasons. Chandragupta Maurya was first aired in March 2011 on Imagine TV, ashish Sharma played the role of Chandragupta Maurya.

The story is about Chandragupta Maurya, who ruled over the Indian subcontinent in 300 BC and he would go on to become one of the greatest conquerors of India, with his empire extending from Assam in the east to Afghanistan and Baluchistan in the west 17. – Arzoo is a 1965 Bollywood film directed by Ramanand Sagar. It stars Sadhana, Rajendra Kumar, and Feroz Khan in the lead roles and it was a success at the box office. Arzoo is the story of a love that triumphed over life, the theme of hating the disabled was also tried in Rajashri films Ek Baar Kaho starring Navin Nischol and Shabana Azmi, but it did not work. He meets Usha on his holidays at Jammu and Kashmir with the fake name Sarju, then they both fall in love. One day, Usha tells Gopal that she does not like the disabled, according to her instead of living a life of disabled, it is better to die. After spending his holidays in Kashmir and promising Usha that he marry her, he heads back to Delhi, where his parents.

Along the way, he loses his a leg in a car accident, since he remembers the words of Usha, he tries to avoid her to go away from her life. He thinks Usha will not accept him as he is now disabled, then he goes back to Delhi and he does not tell anything about Usha.

In the meantime, Usha tries a lot to find him, gopals best friend, Ramesh, unknowing about his friends love story, wants to marry Usha. After saying no several times, at Ushas father accepts on her behalf and Usha dutifully agrees to the marriage as well. But on the day of her wedding, one miracle happens in the form of Kashmir Houseboat owner Mangloo and initially Ramesh and then Usha find out that Gopal, then this situation forms the climax of the movie. This movie has a theme as the French film Cyrano de Bergerac Arzoo at the Internet Movie Database 18. – Ankhen is a 1968 Hindi spy thriller produced and directed by Ramanand Sagar.

After the surprise big hit of Farz as a spy thriller, Sagar came out with a budget film in the same genre. The film stars Mala Sinha, Dharmendra, Mehmood, Lalita Pawar, the music is by Ravi and the lyrics by Sahir Ludhianvi. It was estimated to be the most profitable Indian film of 1968 in India, Ankhen is considered to be a pioneer in Hindi spy films. It was initially planned to be shot when Dharmendra had just one film, with the success of Phool Aur Paththar, Sagar decided to increase his budget and finalize Dharmendra as the leading man.

Shortly after independence India faces terrorists attacks in Assam, resulting in many deaths, a group of concerned citizens, who are not connected with the government, decide to do something to stop this carnage. While Salim is already at work in Beirut, his cover is blown, now Sunil Mehra must travel to Beirut and take over. Once there, he meets a former flame, Meenakshi Mehta, soon Syed and his associates, including Doctor X and Captain find out all secrets of Mehra, as a result of which Sunil is trapped and held by Syed. Then Diwans world is shattered when Meenakshi telephonically informs him that Sunil has been killed, the question remains what will happen to Babloo, Diwan, and the rest of the concerned citizens, especially when they have become vulnerable due to Madames presence in their very household. Singh Ankhen at the Internet Movie Database Aankhen at Teleport City 19. – Lalkaar is a 1972 Bollywood action film produced and directed by Ramanand Sagar. It was adapted from a Hindi novel Sagar had written, called Lalkar, the film had music composed by Kalyanji Anandji and the lyricists were Hasrat Jaipuri, Indeevar, Mahendra Dehlvi and Kulwant Jani.

It was rated as above-average, and cited as one of the highest grosser of 1972, stated to be the costliest war film produced at the time, it starred Dharmendra, Rajendra Kumar, Mala Sinha and Kum Kum in lead roles. The rest of the cast included Nazir Hussain, Sujit Kumar, Ramesh Deo, Dara Singh, india is in a state of war with Japan and former Colonel Kapoors sons, Rajan and Ram are both with the Indian Armed Forces.

While Rajan is a Wing Commander with the Indian Air Force, Rajan is in love with a doctor named Usha Choudhury, and both plan to get married. Then Usha meets with Ram, who falls head over heels in love with her. Before anything can be finalized, Rajan is asked to bomb a secret Japanese airport located in a mountainous valley. While carrying out his duties, he finds out that his mission has been compromised, unable to return, his plane is shot down and he is believed to be dead.

The Indian Army wants to destroy this secret airport and sends a crack Commando unit under Major Ram, who sets out to carry out this task 20. – Hum Tere Aashiq Hain is a 1979 Bollywood drama film produced & directed by Prem Sagar on Sagar Art Enterprises banner. Starring Jeetendra, Hema Malini in pivotal roles and music composed by Ravindra Jain, Thakur Vikram Singh left India the same time the British did along with his son, Anand, for England. Six months go by and Anand does not return, the Thakur, along with Jackson and Lalita and this is where they find out that Anand has been romancing Rajkumari Sanyogta and both are expected to get married soon.

The Thakur is pleased with Anands choice and gives his blessings to the young couple, watch what happens when the Thakur finds out that Rajkumari is in fact a flower-selling belle from his hometown of Balrampur, and Anand may not be his son after all. Jeetendra as Dr. Anand Hema Malini as Ramkali Amjad Khan as Thakur Shamsher Singh Shreeram Lagoo as Dr 21. – This film tells the story of the Indian freedom struggle against under Portuguese occupation in Goa. Deepak Parashar plays a freedom fighter, Raj Babbar a bar owner, Ranjeeta Kaur the shared love interest, Shammi Kapoor the bar piano player, starts off in Dharampur, then migrates to Goa which is then under Portuguese occupation. The banter between Shammi Kapoor and Shakti Kapoor, referring to Captain Gomes as HK - Holy King to his face, Haram Khor behind his back, DISCLAIMER The movie is based on a classic Hollywood Blockbuster. Names of people and places are changed to hide the identity of original, PLOT Inspired by classic Casablanca, the director Anand Sagar went on to make this movie.

To Indianise the story was set in Goa and the world war becomes the freedom struggle for Goa. The role of Rick is revived by Raj Babbar, of Ilsa by Ranjeeta Kaur, Deepak Parashar plays Victor, Shammi Kapoor is Sam, Deepak Parashar is a freedom fighter and Ranjeeta is his sweetheart who was earlier romantically involved with Raj Babbar. Raj Babbar runs a bar / hotel in Goa which is hub of all the action, Shammi Kapoor is his friend and bartender who also sings. Shakti Kapoor is a corrupt Portuguese officer with money in top of his priority, SPOILERS Having started in parallel with Casablanca, the director builds-up the initial story well, but then he goofs up on what to do with the Indianised story.

He follows the traditional Indian route, ACTING Talking of acting Raj Babbar, Shammi Kapoor and Shakti Kapoor are good. The supporting cast does well but not the lead pair - Parashar is too wooden, but Raj Babbars role overall is victim of directors confusion. MUSIC No Indian movie is deemed complete with songs and dances. The music is OK and song Saare Jahan Ki Amanat hai yeh, yeh jeevan tumhara tumahara nahin, jeevan mitana hai deevanapan, goes well, but contradictory to spirit of the song the director actually erases the life. This is no classic, but it is better than about 60% movies made in India, all the songs in this film was composed by Bappi Lahiri and the lyrics were written by Indeewar and Anjaan. Song Ramba Ho Ho Ho Samba Ho Ho Ho was listed at #21 on Binaca Geetmala annual list 1981 22.

– Romance is a 1983 Indian Bollywood film produced and directed by Ramanand Sagar. It stars Kumar Gaurav and Poonam Dhillon in pivotal roles, and Mrs.

Roy are thrilled when their son announces that he is going to marry a Caucasian woman. Soon they are blessed when a daughter, Sonia, is born, tragically, their son passes away, leaving them heartbroken. Sonia grows up under her mothers strict control and guidance, and the love of her grandparents, who encourage her to visit India, which she does. When she returns, she announces that she has met her soul-mate in Amar, who she is going to invite to Britain, where they will marry.

Her mother does not approve of this, as she wants Sonia to get married to a Caucasian male of her choice, and will not permit any interference from her in-laws, in the meantime Amars passport and money are stolen. He manages to board a ship bound for Britain, where he is apprehended, arrested and turned over for prosecution. It looks like Sonias mom have her way with her daughter after all, Kumar Gaurav – Amar Poonam Dhillon – Sonia Shammi Kapoor – Mr. Roy Sushma Seth – Mrs 23. – Baadal is a 1985 Hindi-language Indian feature film directed by Anand Sagar, starring Shammi Kapoor, Mithun Chakraborty, Poonam Dhillon, Arun Govil, Bob Christo and Shakti Kapoor. Baadal is family drama, featuring Shammi Kapoor, Mithun Chakraborty, Poonam Dhillon, Arun Govil, Bob Christo, baadals Mother Jayshree T.

Kasturi Madan Puri. Champa Zahra Merchant Chitto Chopra Javed Khan, vikrams Man Dilip Sood Bob Christo http, //ibosnetwork.

Id=Baadal+%281985%29 Baadal at the Internet Movie Database 24. – 1971 is a 2007 Indian Hindi war drama film directed by Amrit Sagar, and written by Piyush Mishra and Amrit Sagar, based on a true story of prisoners of war after the Indo-Pak war of 1971. The film features an ensemble cast of Manoj Bajpayee, Ravi Kishan, Piyush Mishra, Deepak Dobriyal and others. 1971 was included in Avijit Ghoshs book,40 Retakes, Bollywood Classics You May Have Missed The story takes place in Pakistan in 1977, the scene opens to show a POW camp at an undisclosed location in Pakistan. Indian soldiers are holding a morning parade, as the Pakistanis Major Karamat and Colonel Sheriar Khan walk by, the Indians turn their backs on them in a gesture of disrespect. The cause for this disrespect is soon known as we see the Indian Major Suraj Singh being called out of barrack Number 6 for interrogation by the Pakistanis.

He is from the 18 Rajputana Rifles and was caught in the Uri sector in December 1971 as he ran out of ammunition, before being brought to this camp, he was held in Kot Lakhpat, Lahore, where he was punished twice for attempting to escape. Now, he was put in barrack Number 6 as punishment for a third attempt, Colonel Sheriar Khan taunts him as to the condition of his fellow POWs in the barracks and asks him who else aided him in his escape attempt. Major Suraj Singh refuses to reveal his accomplices, and is sent back to barrack Number 6 for a few more days and he has already spent three days there. We see some of the other POWs, Captain Kabir, Captain Jacob and they wonder why the Indians, who were so far held in various jails all over Pakistan, have been brought to this camp.

They take note of the fact that the camp is well-facilitated and we also see Karamat and Khan discussing the inmates of barrack Number 6. The inmates are Indian POWs from the 1965 and 1971 wars who have lost their sanity and this is Major Suraj Singhs punishment, to be imprisoned in this part of the POW camp. Out of magnanimityColonel Sheriar Khan orders that Suraj be released the next morning, the next morning, an army truck is driving towards the camp.

This truck has a few more Indian POWs and this group includes Flight Lieutenant Ram, Flight Lieutenant Gurtu and Colonel Puri. The Flight Lieutenants, being youngsters, are of a bright disposition, when the truck stops at a side road and the POWs are allowed to relieve themselves, Ram and Gurtu contemplate the idea of jumping into the valley and running away. Then, they give up the idea, as they are too weak to do so, for consolation, they steal a guards wallet and get a Pakistani army ID card. They reach the camp and are introduced to the other inmates already present, no one has any idea as to the reason they were taken there. No matter how good the facilities in the camp, they are still prisoners, by asking the guards a few innocuous questions and putting their answers together, the POWs realize that they are in a place less than 200 km from the Indo-Pak border. When Colonel Puri is told of this and the idea of an escape is put forward and his reasons are that perhaps they will finally be repatriated and that a failed attempt could result in all of them being killed.