NOTE – Download this game for ver PC (windows, Mac): – Guide Fix Limit Google Drive: Based on the popular animated Naruto Shippuden series, Naruto Shippuden: Ultimate Ninja Storm Generations offer a vast selection of playable & support characters spanning every generation of the Naruto saga, alongside incredible online functionality to take the Naruto ninja fight onto the global stage in the much-beloved fighting series. The game powers the Ultimate Ninja series into the future by revolutionizing online play and ramping up the number of playable and support characters far beyond any Naruto game in the wildly popular franchise. Players will compete in a variety of online battle modes with their favorite Naruto characters, including Naruto and Sasuke. Naruto fans have been waiting to see more of Zabuza and Haku since the launch of the original Manga, and now they will have their chance! I am so happy when you connect to my website. It created with the purpose is to share free XBOX games for all of you. At the present, more than 2000 free XBOX games are loaded on the website and it has still been in process of building, finishing the contents, so I hope that most of free XBOX games could be updated as soon as possible.

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Masashi Kishimoto 岸本 斉史 Born ( 1974-11-08) November 8, 1974 (age 43), Japan Residence, Japan Occupation Known for Relatives (twin brother) Masashi Kishimoto ( 岸本 斉史, Kishimoto Masashi, born November 8, 1974 ) is a Japanese, well known for creating the series which was in serialization from 1999 to 2014. As of April 2018, Naruto manga has sold 235 million copies worldwide. The series has been adapted into two anime and multiple films, video games, and related media. Besides the Naruto manga, Kishimoto also personally supervised the two canonical films, and, and has written several one-shot stories. A reader of manga ever since a young age, Kishimoto showed a desire to write his own manga, citing authors and as his main inspirations. As a result, Kishimoto spent several years working to write his own for magazine which he was a fan of.

Contents. Early life Masashi Kishimoto was born in the, Japan on November 8, 1974 as the older identical twin of. During his childhood, Kishimoto showed interest in drawing characters from the anime shows he watched, such as 's and 's. In, Kishimoto started watching the and alongside his brother. During the following years, Kishimoto started idolizing 's original creator, enjoying not only his series Dragon Ball and Dr. Slump, but also, a series of for which Toriyama is the art designer. While he could not afford to buy where the was published, he followed the series thanks to a friend from school who had subscribed to the magazine.

By Kishimoto started losing interest in manga as he started playing baseball and basketball, sports he practiced at his school. However, upon seeing a poster for the animated film, Kishimoto became fascinated with the way the illustration was made and wished to imitate the series' creator 's style. Other series he enjoyed reading are, and. During his last years of school, Kishimoto spent time drawing manga and went to an art college with hopes that he would become a manga artist.

Upon entering college, Kishimoto decided he should try creating a manga since Weekly Shōnen Jump had not published a title from that genre. However, during the same years, Kishimoto started reading 's and 's (the latter of which was published in Weekly Shonen Jump), which used the said genre.

Kishimoto recalls having never been surprised by manga ever since reading and found that he still was not able to compete against them. In his second year of college, Kishimoto started drawing manga for magazine contests. However, he noted that his works were similar to, aimed towards an adult demographic, rather than the read by children and teenagers. Wishing to write a manga for Shōnen Jump that targets a young demographic, Kishimoto found his style unsuitable for the magazine.

When watching the anime series, Kishimoto was surprised by the character designs employed by the animators and he started researching works form animators. He later met, designer from the anime adaptation of the manga who he deemed a big influence. Now emulating the way of drawing from multiple character designers from anime series, Kishimoto noted that his style started resembling shōnen series. Works Kishimoto's first successful manga pilot was Karakuri ( カラクリ, lit. 'Mechanism'), which he submitted to in 1995.

This earned him an honorable mention in Shueisha's monthly 'Hop Step Award' in 1996, granted to promising rookie manga artists. At this point he was assigned an editor, Kosuke Yahagi, and worked on a number of rejected drafts including a slice-of-life manga, Michikusa ( 道くさ, lit. 'Wandering Detour'), and an action manga, Asian Punk ( アジアンパンク, Ajian Panku).

In 1997, he wrote a one-shot version of Naruto ( NARUTO－ナルト－) which was published in Akamaru Jump Summer. In December 1997, Kishimoto was offered a one-shot in Weekly Shōnen Jump a reworked Karakuri debuted in Weekly Shōnen Jump 1998 No. 4-5, but performed poorly in reader surveys. Following the failure of Karakuri, Kishimoto reduced his output and began moving in a direction with drafts for a baseball manga, Yakyūō ( 野球王, lit.

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'Baseball King'), and a manga, Mario ( マリオ), hoping to find better luck with a seinen magazine. Yahagi persuaded him to give the shōnen genre one last shot and Kishimoto began working on storyboards for a fantasy one-shot, Magic Mushroom ( マジックマッシュルーム, Majikku Masshurūmu), but stopped when Yahagi called and asked him to instead develop storyboards for serialization. The two decided to submit a version of Naruto with a reworked story and world and produced storyboards for the first three chapters, winning a spot in the magazine. With a six-month lead time, Kishimoto repeatedly revised and redrew the first several chapters of the series. In September 1999, the serialized version of Naruto premiered in Weekly Shōnen Jump 1999 No. 43 and quickly became a hit.

Naruto ended on November 10, 2014 after more than 15 years of serialization, with a total of 700 chapters collected in. Sales have exceeded 113 million copies in Japan and over 95 million copies in the US, followed by over 93 million copies worldwide (outside Japan and United States) as of volume 36. Kishimoto was also the winner of 'Rookie of the Year' for the series in the. It was adapted into two successful anime series, Naruto and Naruto Shippuden.

Kishimoto requested that oversee the character designs of Naruto when the manga was adapted into an anime series. The Naruto manga series became one of 's top properties, accounting for nearly 10% of all manga sales in the US in 2006. The seventh volume of Viz's release became the first manga to ever win a when it claimed the award for 'Best Graphic Novel' in 2006. Responding to Naruto's success, Kishimoto said in Naruto Collector Winter 2007/2008 that he was 'very glad that the American audience has accepted and understood ninja. It shows that the American audience has good taste.

Because it means they can accept something previously unfamiliar to them.' While writing the manga, Kishimoto met, author of who he considered his rival. When Naruto ended, Oda left a message in the series' final volume acknowledging him as a rival. According to Kishimoto 'That felt so gratifying.' Additionally, before the anime adaptation's premiere of, he praised 's work, believing it would be a success overseas.

Additionally, Kishimoto referred to as one of his favorite artists. For the video game, Kishimoto redesigned its new character,. CEO Hiroshi Matsuyama said he was attracted by this design and thus asked the Tekken staff if he could include Lars in the video game. For, Kishimoto was responsible for Mecha Naruto upon being suggested by the staff to include a new character. Kishimoto decided on adding a character that would bring a big impact to worldwide level which resulted in Mecha Naruto.

CyberConnect2 CEO Hiroshi Matsuyama was surprised when seeing the new character. For the ninth Naruto film, Kishimoto was responsible for both the story planning and characters' designs. To promote the film, Kishimoto worked in Motion Comic Naruto a DVD that shows scenes from the manga in 3D that was given to the first 1.5 million people who went to the cinema.

Regarding Naruto 's publication Kishimoto told Tetsuya Nishio in July 2012 that the series would take over a year and a half to end. However, Kishimoto admitted that it now appears that the manga will continue beyond that timeframe. In April 2012, it was announced that Kishimoto would publish a one-shot version of his long-postponed mafia manga, Mario, in, based on the rough, 160-page manuscript he began working on before Naruto became serialized. In 2009, Kishimoto designed an extra costume for the video game character for; in 2010 this character appeared in as part of a special cross-promotion.

In 2010, Kishimoto produced a one-shot baseball manga, Bench ( ベンチ, Benchi), as part of Jump's 'Top of the Super Legend' project, a series of six one-shot manga by famed Weekly Shōnen Jump artists. Throughout 2013, several of Kishimoto's one-shots saw their English-language debut in issues of the magazine, including Mario, Bench, and the original Naruto pilot. In 2015, Kishimoto also illustrated the cover of violinist 's album Strings on Fire. Following the conclusion of Naruto, Kishimoto became involved in the Start of a New Era Project commemorating the manga's conclusion and 15th anniversary. On the last page of the final chapter, Weekly Shonen Jump announced that a spin-off miniseries, also authored by Kishimoto, would be released in 2015.

The series, ran from April to July 2015. Beyond this, Kishimoto was also heavily involved with two canonical movies, and, as he personally supervised both movies, and illustrated several. When asked by 's voice actress to continue making Naruto movies, Kishimoto stated that he was taking a break and could not physically do so. In August 2015, Kishimoto announced that he already has finalized what he wants to do for his next manga series. A manga, the series will feature a unique protagonist, with Kishimoto having already completed the character designs. Kishimoto also plans for the work to surpass Naruto in quality, and plans to release the series monthly via the digital magazine Shonen Jump Plus due to the taxing effort required for a weekly series. Kishimoto has not yet finalized when he plans to officially announce the series, as he wants to spend time with his family.

On December 19, 2015, it was announced that Kishimoto would supervise the monthly Boruto ( BORUTO−ボルト−) series beginning in Spring 2016. The new spinoff will be illustrated by Kishimoto's chief assistant on Naruto, and written by his writing partner for, Ukyo Kodachi. It was preceded by a Naruto: The Path Lit by the Full Moon one-shot written and illustrated by Kishimoto. In December 2017 it was revealed that Kishimoto would write a new manga series starting in 2018.

Manga. Karakuri one-shot 1995, Hop Step Award winner 1996, published in Hop Step Award Selection 18 ('95'96) (1996), Akamaru Jump Winter (1997), Weekly Shōnen Jump No. 4-5 (1998) and Naruto: The Official Premium Fanbook (2009)). one-shot (1997; published in Akamaru Jump Summer (1997) and Naruto: The Official Fanbook (2002)).

Naruto (September 21, 1999 – November 10, 2014; serialized in Weekly Shōnen Jump, debuted in Weekly Shōnen Jump 1999 No. 43).

Bench one-shot (October 11, 2010, published in Weekly Shōnen Jump 2010 No. 45).

Mario one-shot (May 2, 2013, published in Jump Square 2013 No. 6). (April 27, 2015 – July 6, 2015; serialized in Weekly Shōnen Jump, debuted in Weekly Shōnen Jump 2015 No. 22-23).

Naruto: The Path Lit by the Full Moon (April 25, 2016, published in Weekly Shōnen Jump 2016 No. 21-22 and Boruto: Naruto Next Generations Volume 1). – editorial supervisor (May 9, 2016 – ongoing; serialized in Weekly Shōnen Jump, debuted in Weekly Shōnen Jump 2016 No. 23) Film.

— 2012, story planning and character designer. — 2014, original story, character designer and chief story supervisor. — 2015, original story, screenwriter, character designer and chief production supervisor Artbooks. The Art of Naruto: Uzumaki ( 岸本斉史画集 UZUMAKI, Kishimoto Masashi Gashū: Uzumaki, lit. 'Masashi Kishimoto Art Collection: Uzumaki') — 2004. Paint Jump: Art of Naruto ( PAINT JUMP Art of NARUTO－ナルト－) — 2008. Naruto Illustration Book ( NARUTO―ナルト―イラスト集 NARUTO, Naruto Irasuto-shū: Naruto, lit.

'Naruto Illustration Collection: Naruto') — 2010. Uzumaki Naruto: Illustrations ( NARUTO―ナルト―イラスト集 UZUMAKI NARUTO, Naruto Irasuto-shū: Uzumaki Naruto, lit. The first time Kishimoto used the double action technique in a fight between Naruto and Haku. While as a child Kishimoto enjoyed reading manga, he was inspired to write one after seeing a promotional image for the film. This made him analyze the artwork of Akira 's original author, as well as, another artist he admired. Realizing both had their own style regarding the designs, Kishimoto decided to draw manga while crafting his own images.

While attending art school, Kishimoto was also an avid reader of 's, and extensively studied Samura's page layouts, action sequences, and anatomical techniques. When Kishimoto was originally creating the Naruto series, he looked to other shōnen manga for influences while attempting to make his characters as unique as possible. Kishimoto cites Akira Toriyama's series as one of his influences, noting that, the protagonist, was a key factor when creating Naruto Uzumaki due to his energetic and mischievous personality. When redesigning three characters for the series, Kishimoto cites, one of his favorite movies, as an inspiration for their outfits. He has also cited as one of his favorite manga authors, while the manga Sasuke by, a series which Kishimoto likes, inspired Kishimoto in the development of the character. Kishimoto has also cited other influences such as and.

He also mentioned 's technique 'of shooting a scene against the background light' but found it difficult to make. Another technique inspired by 's films he used in the Naruto manga is the 'double action'; in this action a punch is shown in three different angles in order to give a big impact on the punch's strength. This was first shown in Naruto Uzumaki's battle against. Sometimes, Kishimoto draws panels intentionally confusing during fight scenes to add a sense of speed.

On the other hand, Kishimoto commented that for the fights between Naruto and Sasuke, he added action from the top of the page to the bottom in order for them to be easier to follow. During the series' publication, Kishimoto got married and had children. The changes to his personal life affected the story as he made the protagonist Naruto Uzumaki meet his parents, something the author wanted the character to feel based on his own experience as a father.

When drawing the characters, Kishimoto consistently follows a five-step process: concept and rough sketch, drafting, inking, shading, and coloring. These steps are followed when he is drawing the manga and making the color illustrations that commonly adorn the cover of, the cover of Weekly Shōnen Jump, or other media. The toolkit he uses occasionally changes.

For instance, he used an for one illustration for a Weekly Shōnen Jump cover but decided not to use it for future drawings largely due to the cleanup required. Masashi and his twin brother Seishi have been drawing manga together since early childhood, thus their styles are similar. As a result, each has frequently been accused of copying the other, not just artwork, but story elements as well. Seishi notes that the similarities are not intentional but are likely because they were influenced by many of the same things.

Kishimoto has admitted he made no plans in regards to the development of Naruto 's story developments. For example, when introducing Sasuke, the character says he wants to kill a person.

By this time, Kishimoto only thought that Sasuke's brother, had done a wrong deed in the past but was not certain of what was exactly. By volume 16 of the series which featured Itachi's actual introduction, Kishimoto decided Itachi was an agent working for Konohagakure to kill all members from the Uchiha clan except Sasuke. This is later revealed in volume 43 of the manga.

Another one was the revelation that the late would be Naruto's father. When Kishimoto had the idea that Minato would be Naruto's father, he started adding hints of that to the reader such as giving the Hokage mountain from Konohagakure spiky hair similar to Naruto's. In the making of the film Kishimoto paid tribute to several movies, the most notable being the 1996 film and the 2002 film. The tribute to The Rock was mostly done by using, which is a common way of structuring stories in Japan. He also claimed he was a fan of, most notably his films based on the comic book character.

References.